The Magic of Community in Narratives

elephant copyIn the latest issue of The Writer’s Chronicle, I read “The (Magical) Voice of Community in Mark Twain’s The Mysterious Stranger” by Jordan Dotson. Since much of my fiction falls into the magical realism category, I was interested in what Dotson had to say about Twain’s final novella and how I could apply what I read to my own work, especially my latest novel Curva Peligrosa. Continue reading “The Magic of Community in Narratives”

Dear Fellow Readers (and Writers): Why do you read fiction?

I recently finished a novel that had me questioning why I read fiction. The book was engaging enough. The writer was competent and had created characters that seemed believable (though that isn’t necessarily a criterion for me). There was enough tension to keep me reading in order to discover more about these lives I had immersed myself in. But the experience felt flat, and I wondered why I had spent several precious hours on something that wasn’t more satisfying.

So why do I read? For me, reading isn’t necessarily to escape my daily life. I read to deepen it. If a book doesn’t take me somewhere new emotionally and intellectually, I feel cheated. Why would I go on this literary journey if I remain the same person at the end?

I also want my knowledge of the world broadened and intensified. I love many naturalistic novels—ones that recreate everyday life and give me new glimpses (novel=make it new) of familiar settings and things. Often that happens through the writer’s expert use of metaphor and symbol, devices that automatically expand our perceptions. Or s/he has a masterful way with manipulating sentences and images.

But I also love works that employ magical realism, as many of my fictions do, because they point to something other, something not quite articulable. They lift the lid on ordinary experience and suggest other possibilities.

I hope I’ll hear from others on why they read. That too will expand my horizons!