Before I committed myself to writing and became part of that world, I had no idea what was involved in constructing a novel. I assumed the narrative flowed easily from the writer’s pen to paper (and in those days, a lot of writing was done with a pen or pencil, though typewriters also were used). The finished product looked so pristine that I couldn’t imagine it ever being anything but perfect. Not only did narratives read as if they had come fully formed from Zeus himself, but they also were error free.

Ha Ha Ha!

Now that I have another novel almost ready to find its place on bookshelves everywhere, I have a more realistic picture of what’s involved, and it’s a great illustration of publishing sleight of hand. What appears easy to a reader is anything but for the writer and her editors.

If you are the kind of person who continued believing in Santa Claus after your parents said he didn’t exist, you may not want to read on. I hate to disillusion anyone! But the only thing magical about creating fiction is what takes place between pen and paper—the imagination. Without it, our work would languish. Otherwise, the process is messy and, largely, trial and error.

For Curva Peligrosa, my novel that will be published this summer, I spent many years learning about my characters as they revealed themselves to me and discovering their stories. I’m not the kind of writer who outlines a plot in advance and then proceeds to write. Some can do this successfully, and maybe it’s not as chaotic. I can’t. I like surprises as a reader and as a writer. Planning in advance would eliminate much of the fun for me of inventing the novel’s world.

Once I discovered Curva’s center of gravity, I was able to get close enough to its finished form that I could ask fellow writers to read and comment on its chapters, giving me a sense of what was working and what wasn’t. When I felt I had a complete draft, I asked a trusted published colleague to critique it. Her feedback started me off on numerous rounds of revisions (we’re talking about over 300 double-spaced pages!) that included two professional editors I hired before I submitted the manuscript to Regal House Publishing and the publisher sent me a contract.

But that was only the beginning of several more rounds of content revising and close line editing. I’ve recently gone through yet another proofreading of the text, and I’ll need to go through it again after my publisher has also reviewed the manuscript.

I don’t mean to discourage any beginning writers, but you should have a realistic picture of what’s involved in giving birth to a novel, especially if you have literary ambitions and aren’t just writing pot-boilers. No, Virginia, there isn’t a Santa Claus, but writing a well-constructed novel can be even better.