Full disclosure: I started this blog so I would have a “writer’s platform” I could show agents and potential publishers. But it doesn’t come without a cost, and that is one’s privacy.
The idea of public and private has shifted. While some people still keep private diaries/journals, myself included, others are blogging their hearts out for all the world to see. Facebook, Myspace, YouTube, chat rooms, etc., have conditioned a new generation to spill it all on the web, to not hold back. Some even set up webcams in their houses so strangers can follow their daily routine. (more…)
Evonne Marzouk is an inspirational public speaker and author of 
From inside my study, one wall book-lined, the other holding a large mirror that makes the room appear bigger, I sit on the loveseat, listening to Strauss and the waterfall powered by a tiny electric pump. When I’m home, I turn it on, the sound of water like a heart beat in this house, a tangible reminder of what usually is invisible, at least to waking life—water for me representing the unconscious and all that lives there. It also is the source of the books I’ve written, the muse that continues to inspire me to write, daily. 
Fiction writers have been called many things, but magician seems the best description. They dip into the black hat of their imagination and produce an endless variety of characters, situations, images, genres, events, and styles. The effect on readers is nothing less than magical, the reader also becoming a conjurer, assisting in making visible what wasn’t there before. 
Tony Flood spent most of his working life as a journalist, initially on local and regional papers and then on nationals. He was also editor of ‘Football Monthly’, Controller of Information at Sky Television and enjoyed a spell with ‘The People’ before retiring in 2010. In his celebrity book My Life With The Stars, Tony recalls: “My work
At the beginning of 2012, in my seventy-second year, I decided to return to analysis so I could explore my concerns about aging and dying. Fortunately, I found Dr. Y, a Jungian analyst who takes Medicare, freeing me to explore my new terrain—old age—without depleting our savings. Dr. Y is a psychiatrist who merges the rational world of science with C. G. Jung’s more esoteric ideas about the psyche. I have feasted on Jung from the time I first discovered his writing in my late twenties. For me, his more mystical aspect overshadowed the scientist. I love how he evokes the multiplicity of things—the magic, the mystery, the many levels to reality including the mythic part. Of course, dreams inhabit the mythic dimension, and I view them as communications from a part of myself that knows more about me than my conscious ego does. 
I’m thinking today of timing—how important it is to success. Timing and perseverance: the two go together. I’m also noticing the seasonal aspect of creativity, how cyclic it is. That too is hard to grasp. I want it all the time. I’m afraid if it isn’t there, it won’t return. But I need to remember that if I pursue my creative impulses, and if they’re in accordance with my abilities, then there will be success. Maybe not financially, though that would be nice. But I’ll experience the satisfaction of achieving what I’m capable of. 
My novel
With two new books being published by Shanti Arts, and wondering how best to market them, I’ve been thinking about book festivals I’ve participated in. I realize that, while these events are great for focusing on the many book genres available, I also have concluded that I probably won’t attend one again. A few years ago, I signed up for the Bay Area Book Festival in Berkeley, a relatively new venue at the time. Its first session was in 2015, and it claims to be an international event that draws people from all over the world: “More than 50,000 diverse people of all ages, from urban to suburban Bay Area communities and beyond.” 
My 
$900 on contest fees. I’ve been shortlisted in a memoir magazine contest and been declared a finalist for another book award. In one case I won a Bronze Medal in the Female Memoir division, and in another, I was named a runner up in the Memoir category. None of these “honors” paid me any money. The announcement of my “win” is most often followed by a bombardment of emails encouraging me to pay more for editorial or marketing advice or for a bronze medal on a colored ribbon or to enter more contests or book festivals. I’ve won no mention at all in six contests, and five have yet to report.
Writing is such a part of my day that if I don’t get to it, I’m constantly distracted, as if I have a lover I’m thinking about. It’s like a siren’s call, pulling me away. My husband Michael notices it. He comments on me seeming drifty. He’s right. I’m not fully there. The discipline of writing an hour or more a day pulls me into myself and gives me the contemplative part I need. Balance. 
I’m a member of the Berkeley branch of the California Writers Club. They usually have a monthly meeting that includes a speaker who presents something writing related. Yesterday, Laurel Yourke, author of Beyond the First Draft: Deep Novel Revision, gave a 45 minute overview of recommendations she offers to poetry and fiction writers on how to move beyond surface revision (changing around word choice: below instead of under) to what she calls deep revision (making conscious, painful choices that sometimes lead to cutting our favorite passages). She believes that if there isn’t some pain, then we aren’t going far enough in our analysis of what needs to remain and what needs to flee. 
On September 7, I posted on my blog “Don’t Avoid Editing Many Layers.” I want to expand on that post today as I’m constantly revising my own understanding of critique partners and how they help us writers grow. Revising is the most important part of the writing process, apart from generating material to revise, and I’m constantly reminded of how valuable good readers are. 
I’m in the last stages of reworking my new novel for publication by Pen-L Publishing, due out in November 2021. Its working title is Tillie’s Lust for Life: A Girl’s Quest. An older Tillie, the main character, was featured in my last published novel: 
Being part of an on-line writing group for several years has provided many benefits. But with the positives come a few negatives. 
Okay, I’ve been writing for longer than I care to remember, but I still can convince myself (arrogant? yes!) that I don’t need feedback from other writers. This attitude tends to take over when I’ve spent considerable time working on something, as I had with a memoir I’ve written. After all, it’s my story I’m telling. How could someone else help me to improve it? I don’t usually take this approach to fiction I’ve created; I assume it can be made better. But I had persuaded myself that this material was ready to be published. 
If you are the kind of person who continued believing in Santa Claus after your parents said he didn’t exist, you may not want to read on. I hate to disillusion anyone! But the only thing magical about creating fiction is what takes place between pen and paper—the imagination. Without it, our work would languish. Otherwise, the process is messy and, largely, trial and error.
