Full disclosure: I started this blog so I would have a “writer’s platform” I could show agents and potential publishers. But it doesn’t come without a cost, and that is one’s privacy. Continue reading “Does Blogging Overexpose the Blogger?”
My husband and I like to travel when we have the time and money. We’ve managed to visit St. Petersburg, Moscow, the Atlas Mountains in Morocco, Marrakech, Fes, Rabat, Istanbul, the entire Aegean/Mediterranean coast off Turkey, Norway, Sweden, Denmark, and many other countries. Continue reading “Learn how creating places & characters resembles traveling!”
In a recent dream, I’m standing on the street outside the Crescent Confectionary in Calgary, the city where I grew up. The place is lit from within. A couple sits at a table next to the window, eating. I feel like the little match girl, on the outside, looking into this place where I once worked. When I was thirteen, I went with Chester, my stepdad, to the Confectionary, and he asked Mr. Larson, the owner, to give me a part-time job. Chester bought all of our food there on credit, paying the bill when he was flush. Continue reading “Dreaming in the age of????”
Spring has arrived, and the warmer weather offers ways for people to gather again. Book festivals often appear, and I guess that’s why I’ve been thinking about ones I’ve participated in. I realize that, while these events are great for focusing on the many book genres available, I also have concluded that I probably won’t attend one again. Continue reading “My Mis-take About Book Festivals!”
Marjorie Hudson bio
Award-winning author Marjorie Hudson was born in the Midwest, raised in Washington, DC, and now makes her home in rural North Carolina. She is author of Accidental Birds of the Carolinas (stories), Searching for Virginia Dare(history/travelogue), and a new novel, Indigo Field, and all of her works reflect her fascination with Southern places, history, and people. She lives on a century farm with her husband Sam and dog DJ, where she mentors writers and reads poetry to trees.
FB – Marjorie Hudson – Author
In an issue of The Writer’s Chronicle, I read “The (Magical) Voice of Community in Mark Twain’s The Mysterious Stranger” by Jordan Dotson. Since much of my fiction falls into the magical realism category, I was interested in what Dotson had to say about Twain’s final novella and how I could apply what I read to my own work, especially my novel Curva Peligrosa. Continue reading “Seeing is believing: the magic in magical realism!”
My husband and I like to travel when we have the time and money. We’ve managed to visit St. Petersburg, Moscow, the Atlas Mountains in Morocco, Marrakech, Fes, Rabat, Istanbul, the entire Aegean/Mediterranean coast off Turkey, Norway, Sweden, Denmark, and many other countries. Continue reading “What happens to writers when they create their own fictions?”
I’ve been thinking recently how writers are like detectives. They need to be constantly observant, picking up clues from what people are wearing, how they gesture, the words they speak, the way they interact with others. They study others’ facial expressions and what they suggest, storing away the data in their memory banks or taking notes in a writer’s journal that they’ll refer to later. Continue reading “How are writers detectives?”
I was pumping hard on the exercise bike at the gym while having a conversation with the fellow riding next to me. We had introduced ourselves and exchanged backgrounds. He had just learned that I’m a published writer and was intrigued by the idea, congratulating me on the release of my most recent novel The Ripening: A Canadian Girl Grows Up. I surprised myself by laughing dryly and calling writing an affliction. Continue reading “Does writing have a spiritual dimension?”
During the Covid pandemic, we did a lot of waiting, and we still are! We’re waiting to learn if there will be new aggressive variants of the virus. We’re waiting to see if we can safely spend time with family and friends now and in the future without wearing masks. We’re waiting to see if 2023 will give us any relief from the multiple problems that face us a a country and as citizens of this planet. But I have to admit that, as a writer, the act of waiting is not unfamiliar to me. It’s an example of how central waiting is in the writing process.
I’m thinking today of the eclipse of the sun that happened in August 2017. My husband and I had just spent three nights on the Mendocino coast in Northern California and were driving to our Bay Area home under an overcast sky. We didn’t see the whole eclipse, but we did notice a change in the light’s intensity as the moon began blotting out a portion of the sun. Instead of the sun making everything hard-edged and clear, there was a softer quality to what I saw from the car window, reminding me a little of how the earth looks under a full moon. Continue reading “Have you wondered how writers eclipse the real? Read this blog post to discover the answer!”
Imagination is such an important part of our work as creators, whether we’re writers, visual artists, musicians, and more. However, it isn’t enough just to have imagination, but it also needs to be educated, refined, and developed, like any faculty. I could have a bent for playing the piano or singing, but nothing much will come of it without practice, lessons, and moving up through the levels. Continue reading “Imagining ourselves into life!”
Guest author Steven Mayfield, a fellow Regal House Author, graciously answers my questions about his evolution as an author. Read on!
Steven Mayfield is a past recipient of the Mari Sandoz Prize for fiction, a 2021 Silver Medalist for the Benjamin Franklin and Nautilus Book Awards for his novel, Treasure of the Blue Whale (Regal House 2020), and the 2022 winner of the London Book Festival for his novel, Delphic Oracle, U.S.A. (Regal House 2022). His next book, The Penny Mansions, will be released by Regal House in the fall of 2023. A former neonatologist with forty publications in the medical/scientific literature, his short fiction has appeared in literary journals and anthologies since 1994. He lives in Portland, Oregon. Continue reading “Guest author Steven Mayfield joins me on my blog today, sharing his wonderful wit & writing journey, an inspiration for all writers & readers!”
Today I skipped my daily hour or more of writing. A discipline I’ve maintained for many years, it has resulted in over four novels, numerous short stories, poems, essays, and now a hybrid memoir. Not writing today made me think of a toddler I dreamt of last night. He told me he didn’t feel emotionally connected to me. At the moment, that’s how I feel about writing. Since I’m currently not immersed in writing a novel or poetry, I feel emotionally detached from the process, but not because I’ve stopped producing. I’m working on a manuscript that starts with my days as a high-school drop out—a memoir that is also an analysis of the genre.
I’ve been reviewing the notes I’ve kept for all my four published novels, going back to the first one Fling! I was amazed to discover I had started working on it in 1999. When I first began, I’d hoped to write a lyrical novel a la Virginia Woolf. But my husband called my attention to a review of another Canadian writer’s book, Barbara Gowdy’s Mister Sandman. When I read of her comic sense, “both inventive and tough,” I realized again how much I wanted to write in this way. But I also had resisted it because the style seemed limited to certain topics. I felt it was difficult to write beautifully and be funny, and I was letting my desire for a certain kind of elegance to inhibit the progression of what later became Fling!