Lily Iona MacKenzie's Blog for Writers & Readers

MY BLOG POSTS COMMENT ON SOME ASPECTS OF WRITING & READING.

The Ripening: A Canadian Girl Grows Up

I’m grieving the loss of dictionaries, thick, massive volumes that I used to get lost in. I would open a page and find hundreds of words, all of them demanding my attention, each a miniature world to explore. But now I’ve become a victim of on-line lexicons because they are handier than putting aside my laptop computer and marching into the other room to unload the Oxford from a bookshelf where it resides. (more…)

 

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I’ve been thinking how writers are like detectives. Constantly observant, they pick up clues from what people are wearing, how they gesture, the words they speak, the way they interact with others. They study others’ facial expressions and what they suggest, storing away the data in their memory banks or taking notes in a writer’s journal that they’ll refer to later. (more…)

A Praise Song to Human Editors

Will Chatty GPT ever learn to edit itself?

As I wrote in my last post, AI is extremely chatty. Any writer who’s received one of those spam messages urging you to connect with a famous author or get a book promotion package you never requested, will see that the fulsome praise of your work can take an entire page not to mention minutes of your precious time. Recently, I got an invitation from an AI generated scam focused on editing my published picture book Lucy and Henry Are Twins. The scam email is 144 words longer than the entire text of the book including the title. (How and why I would want to edit a published book is a mystery to me.)

Original art by Jane Massey

I have been publishing traditionally for (eek) fifty years and through all those decades, I have been both challenged and supported by dedicated editors who love stories and readers, and who have spent their lives making good books better.

I sent my most recent manuscript, the fourth in my series that began with The Castle in the Attic, to Margery, the editor who has worked with me on the series from the beginning and who is a talented and prolific children’s book writer herself.

Original art by Trina Schart Hyman

Margery knows all my quirks and with great patience, she points them out to me every time. She and I both prefer the penciled line edit to a digital program, so here is a sample of one of the more lightly touched pages.

I use the words just and even too often. I repeat words usually in the same paragraph and occasionally, in the same sentence. She cuts my unnecessary explanations, my long descriptive passages, and urges me to replace pronouns with the characters’ names. She is alert to my continuity issues. (Ex. See p. 88, line 8. William knows that Tolliver is not around.)

But more than that, she is attuned to what I’m trying to achieve in the story and how best to help me realize it. As every good editor knows, the way to get a writer back to the page with a sense of energy and excitement is first and foremost to tell them what they are doing right, what in the manuscript is working. I happen to love the revision process because I know it’s my opportunity to get closer to my original vision for the book. Once I’ve taken the time to absorb what she is saying, Margery’s editorial letters always send me back to page one with enthusiasm.

Every experienced writer knows that we are our own worst editors. We fall in love with our characters, our settings, our descriptions and when we type THE END on the bottom of the page/screen, there is a feeling of such joy and achievement that we have little objectivity left. That’s why I try to take weeks if not months away from the book to let it rest. With time off and the help of an editor like Margery, I’m able to see my work more clearly and cut more drastically so that the story moves as swiftly as it needs to do in this age of short attention spans.

Will AI replace the human editor? Many feel it already has, but I’m not one of them. AI is a mathematical tool without conscious awareness, an inner life or lived experience. Those are the qualities I look for in the editor casting her eye and wielding her pencil over my hard won words.

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Meet Karen Garloch, a first-time author and an award-winning journalist. She worked at newspapers in Ohio for fourteen years before moving to the Charlotte Observer in 1987. She spent thirty years at the Observer as the
French Lick portrait
health reporter and was a finalist for the 2013 Pulitzer Prize in Local Reporting. After retirement, she wrote the novel Stray Voltage, which won the 2024 Petrichor Prize for Finely Crafted Fiction from Regal House Publishing. A native of Jackson County, Garloch is a graduate of Brownstown Central High School and Ball State University, where she is a member of the Journalism Hall of Fame. She and her husband, Larry, live in Charlotte, N.C.

 

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I’m thinking this morning of when my husband and I returned from a couple of nights in Calistoga, a charming town in California’s Napa Valley. Yes, it has its share of upwardly mobile types who go there to visit the many wineries. But there also are others who need to be replenished by the pastoral setting and many opportunities to take walks in the surrounding hills. I need that uplift today. (more…)

For everybody except those hiding under a rock, it’s impossible to avoid AI these days. As I wrote recently, my first job in the morning entails clearing my inbox of a number of AI generated “offers” to promote my work, host me on a podcast, connect to me as a fellow writer (imagine Stephen King, Garrison Keillor or Frederik Backman reaching out to little old me), sponsor me at a book festival, feature me on book clubs with names like Boozy Book Club, Books Before Breakast and Women Love Books, etc. etc. All of these are written by AI and sent out to eager writers around the world in an effort to get them to pay for these fake services. Because I’ve published over sixty books for readers of all ages, I get more than my share of them. (more…)

Where do the ideas come from for your narratives?

I write historical fiction based on real people, typically people forgotten by history. I’ve discovered these people by mining a variety of sources, including historical societies, genealogy records, biographies, and nonfiction books about interesting times and people. I’m always on the lookout for people who would lend themselves to a good story, and my six published novels showcase a varied cast of characters, including a woman who was a model for Coco Chanel and then became a spy for the Allies during World War II (The Model Spy); a young couple on a headline-grabbing crime spree in 1920s Brooklyn (Gun Girl and the Tall Guy); and a spiritualist who tangled with Harry Houdini (Margery and Me).

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I’m grateful to Al Sirois, a fellow Regal House author, for sharing with us his writing journey.

Hi, Al. What genres do you work in?

Science fiction, fantasy, mysteries, horror… Young Adult & Middle Grade. (more…)

On July 4th, 2026, the 250th anniversary of the founding of our country, the Theodore Roosevelt Library will open in Medora, North Dakota. Although I can’t be there in person, I will be there in spirit as it’s the best way I can imagine to celebrate all about my country that I love. (more…)

Michael Loyd Gray is the author of ten published books of fiction and more than sixty published short stories. His story collection, The Space Between Now and Then, was released in May 2026 by Silent Clamor. His novel The Writer in Residence was released in April 2026. Regal House will release his novel Emperor of the Mundane in 2027. Gray is the winner of the 2008 Sol Books Prose Series Prize, the 2005 Alligator Juniper Fiction Prize, the 2005 Writers Place Award for Fiction, and a fiction support grant from the Elizabeth George Foundation. He earned a MFA from Western Michigan University, where he was a Phi Kappa Phi National Honor Society Scholar, and a bachelor’s degree from the University of Illinois. Gray lives in Kalamazoo, Michigan, with three cats and a lot of electric guitars. (more…)

Since my late 20s, I’ve recorded my dreams every morning, curious about the wonderful dramas that unfold each night in the subterranean depths. During a trip we took a while back to Osoyoos, B.C., I got a better understanding of dreams and the role they play in our lives. (more…)

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I’ve been thinking recently how writers are like detectives. They constantly need to be observant, picking up clues from what people are wearing, how they gesture, the words they speak, the way they interact with others. They study others’ facial expressions and what they suggest, storing away the data in their memory banks or taking notes in a writer’s journal that they’ll refer to later. (more…)

I recall returning home a while back after spending time at a recently built rental home on the Oxnard, California, beach. It had a wonderful view overlooking the harbor and ocean. You might think I would miss the incredible views and location, as well as the house, brimming with technological toys. But I didn’t. It was a relief to return to our simple Richmond abode, built in the 1940s. (more…)

As a young woman in the 50s growing up in Canada, I was intrigued by hockey and football. Baseball didn’t exist for me then. It hadn’t entered Canadian consciousness, and it would take some years before it did. But I didn’t feel deprived. Hockey and football had much to offer at that time, including handsome, vigorous guys. (more…)

Being part of an on-line writing group for several years provided me with many benefits. But the positives also produced a few negatives.

The Positives: (more…)

I didn’t get to sleep till 1 AM this morning after reading a fascinating article about the assemblage artist Joseph Cornell. I’ve felt that in many ways, he’s my spiritual father. A-I describes his work as intricate “signature boxes, glass-fronted shadow boxes that serve as miniature, poetic theaters. Inside, he meticulously arranged collages and three-dimensional ‘found objects’—such as old maps, vintage photographs, watch parts, and marbles—to create dreamlike, nostalgic universes that celebrate memory, astronomy, and romantic cinema.” (more…)

Learn more about THE RIPENING: A CANADIAN GIRL GROWS UP

Thanks to Cliff Garstang for originally posting this interview with me on his blog:

I’ve Got Questions for Lily Iona MacKenzie

The Ripening by Lily Iona Mackenzie
  • What’s the title of your book? Fiction? Nonfiction? Poetry? Who is the publisher and what’s the publication date?

The Ripening: A Canadian Girl Grows Up, fiction, Pen-L Publishing, 10/15/21

  • In a couple of sentences, what’s the book about?

This coming-of-age story follows Tillie Bishop from her early years until she turns eighteen. She never knew her father, so when her mother abandons her at fourteen, Tillie quickly becomes streetwise. Even in Calgary, forces of the ‘60s—a decade of rebellion, discovery, and upheaval—already are at work within her. Her grit and ability to face life’s challenges are inspiring, the seeds for her later discovery of her artist self.

  • What’s the book’s genre (for fiction and nonfiction) or primary style (for poetry)?

Young Adult, New Adult, & Adult

  • What’s the nicest thing anyone has said about the book so far? 

“Lily Iona MacKenzie deftly takes readers into that throbbing, psychedelic world of drugs, booze, and one-night stands where they will root for Tillie as she struggles to find herself. You will be swept along as she painfully learns that true happiness is seldom found amid the glitter and grime. It’s hiding somewhere else … in plain sight. A well-written and visceral story.” Janice Gilbertson, author of Summer of ’58, Canyon House, and The Dark Side of Gibson Road

  • What book or books is yours comparable to or a cross between? [Is your book like Moby Dick or maybe it’s more like Frankenstein meets Peter Pan?]

Since there are so few novels (or memoirs for that matter) about a female adolescent’s sexual awakening, it’s difficult to find another book to compare it to!

  • Why this book? Why now?

And why not? Each novel gives us one writer’s particular view of the world through his/her characters. This novel featuring Tillie grew out of my last one, Freefall: A Divine Comedy, where an older Tillie, a zany installation artist, is the main character. Pen-L Publishing released that book as well and had contracted with me for three novels. I so enjoyed interacting with Tillie while I wrote Freefall that I wanted to better understand her origins. In the follow up, then, I went back to the ‘40s and ‘50s, to a world that flashed green and red lights at women, the era that produced Tillie (and me!). Some had begun to challenge the dead ends their futures seemed to hold, and Tillie ends up being one of those girls.

  • Other than writing this book, what’s the best job you’ve ever had?

Teaching writing at the college level and beyond has been extremely gratifying for me. One thing I discovered when I was teaching rhetoric to college students, and still applies to the creative writing classes I currently teach for older adults, is that my writing of poetry, fiction, or non-fiction is like teaching for me. Both give me an opportunity to investigate ideas, fears, interests, and obsessions—to ask and answer questions. The two roles complement each other, writing being a more introverted activity than teaching. When I write, I do the dance of seven veils. I remain relatively hidden while exposing myself, exploring my mind and imagination in public view, trying to tempt the reader. When I teach, I do a similar dance. Some seduction is needed to catch a student’s attention and turn it towards the important art of them capturing their thoughts in writing conveying them to a reader.

But I’m learning, too, from my students’ successes and failures, growing along with them as a teacher and writer. However, growth requires a willingness to try new things, both on the teacher’s part and the student’s, so I also must create an atmosphere where such risks can take place. I need to be skillful not just in teaching the craft itself but in managing a classroom, in creating a space where students feel safe to experiment and explore.

  • What do you want readers to take away from the book?

I hope readers will resonate with Tillie’s ability to cope as she faces a multitude of challenges in eventually finding her way in the world. It’s an inspirational story for all ages. We all must deal with difficult times. I believe that Tillie’s story will give readers the courage to take on their own trials.

  • What food and/or music do you associate with the book?

Country western music as well as rock and roll. Food? The kind of good country cooking that Tillie grew up with: fried chicken, mashed potatoes, home-baked bread and cinnamon rolls. Not too many vegetables!

  • What book(s) are you reading currently?

I’ve recently discovered the spy novel genre, and while I have no desire to try writing such fiction, I’m impressed with some of the literary narratives that writers such as Daniel Silva, Peter May, and Louise Penney are producing. At the moment, I’m caught up in Silva’s House of Spies.

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Monday Motivation: Tillie takes readers on a wild ride. Join her if you dare!

The Ripening: A Canadian Girl Grows Up is a sequel to my novel Freefall: A Divine Comedy (published in 2019). The print copy will be released on October 15 2021. The ebook comes out on November 14, 2021.

Tillie, a zany installation artist, is the main character in Freefall. I so enjoyed interacting with her while I wrote that book that I wanted to better understand her origins. In the follow up, then, I went back to the ‘50s, to a world that flashed green and red lights at women, the era that produced Tillie. Some had begun to challenge the dead ends their futures seemed to hold, and Tillie will end up being one of those girls. (more…)

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