Lily Iona MacKenzie's Blog for Writers & Readers

MY BLOG POSTS COMMENT ON SOME ASPECT OF WRITING & READING.

The Ripening
The Ripening:
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" Tillie’s grit and ability to face life’s challenges are inspiring, the seeds for later discovering her artist self. Tillie takes readers on a wild ride. Join her if you dare! "

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Curva Peligrosa
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" A wildly inventive, consistently engaging, and amusing comic novel, but under its bright exterior lurk darker undertones and truths.... "

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FLING!
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" A wildly inventive, consistently engaging, and amusing comic novel, but under its bright exterior lurk darker undertones and truths.... "

"Fling! is both hilarious and touching. Every page is a surprise, and the characters! I especially loved Bubbles, one of the most endearing mothers in recent fiction. A scintillating read."

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All This
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" A wildly inventive, consistently engaging, and amusing comic novel, but under its bright exterior lurk darker undertones and truths.... "

" Indicative of the title, the poems in All This range from the conventional lyric/narrative that captures an intense moment of emotion, an epiphany glimpsed briefly out of the corner of the eye, to the more experimental. "

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No More Kings
No More Kings

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Each finely crafted poem in this powerful collection comes alive on the page while she traces the days’ journeys with a painter’s eye, a musician’s ear, and the deft pen of a poet.

Lily Iona MacKenzie Books
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What role does music have in good writing?

stationery-1158791_1920I was fortunate to have piano lessons when I was a girl. In Canada, if students are learning classical music, teachers usually follow the Royal Conservatory of Music progression from grades one through ten and utilize the books for each level. These lessons include theory as well as musical scores for students to progress in.

Very early, I decided that classical was not my preference, and, after I’d completed four grades of the Royal Conservatory program, I convinced my mother to send me to a teacher who could help me learn pop tunes. That involved learning how to chord so when I used sheet music of popular songs, I only had to read the right-hand score, improvising with my left hand using chordal variations.

Playing the piano and singing to my accompaniment gave me enormous pleasure when I was young and still does when I can make time for it. But I’ve also learned to appreciate classical as well. And while my main pleasure when I’m at the piano is to play jazzy music, I have learned to love more “serious” music as well.

Not long ago, my husband and I attended the San Francisco Symphony’s presentation of the Shostakovich Violin Concerto #1 featuring soloist Christian Tetzlaff. The exhilarating performance is still reverberating within me, the work a stunning blend of instruments and tonal shifts. The opus also challenges any concert violinist to demonstrate his/her best relationship with his/her instrument and the score. Tezlaff not only lived up to the test, but he also surpassed it. He was one with the music and his instrument: in fact, he became the instrument.

I was particularly entranced by a long section where the violin has a dialogue with itself. One minute it sped along as if on a noisy interstate. In the next instance, there was an abrupt shift into a slower tempo and an almost imperceptible sound from the instrument itself. Back and forth this dynamic went. I felt I was overhearing Russia’s soul communicating with itself, the strident, militaristic aspect of the country’s life that its president Putin embodies, and the more melancholy, soulful quality of its great artists. It was electrifying from start to finish.

I left Davies Hall wondering how I, as a writer, could get a transfusion of Shostakovich’s dynamics into my writing. I would like to snare my readers right from the beginning and keep them enraptured with my characters and their movements as they (readers and characters) find their way through the narrative of a short story or novel. It’s a daunting task. At best, I might set off enough sparks and generate something of a fire that will infuse my fiction. But it takes a special verve and vision to sustain it. I would love to hear how other writers do it.

I do know that music is never far from my mind as I’m composing sentences and watching stories emerge from them. I’m aware of the phrasing and tonalities of various words, the differing textures that vowels and consonants create. Music seems to be at the heart of all good writing.

 

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4 Comments

  1. Victoria Janet

    Dear Lily, for me its pretty simple, I always pay a lot of attention to the lyrics of all musical pieces that are not just instrumental, since in a way they are poems, This increases my vocabulary, my knowledge of foreign languages, and very often inspires me.

    Sometimes, though not that often I´ve listened to a beautiful piece of instrumental music such as Gabriel´s Oboe in the movie The Mission, music by Ennio Moriccone, and then I find that someone has added words to it. In this case I´ve found at least two different lyrics. Now I always associate this piece of music to the movie, so the lyrics, though beautiful, actually spoiled the piece for me. One version is called “Whispers in a Dream”.

    Another example is Beethoven´s “Ode to Joy”. I love the instrumental piece, but when Waldo de los Ríos added words to it, it really spoiled it for me because the words were so trite in my opinion. I think Beethoven must be rolling in his grave!

    So to me lyrics can sometimes make a song, and others break one!
    That´s it!

  2. Cat

    Thank you.

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